Born out of a shared vision of musical inspiration, the duo of D-Nox & Beckers has, over the last 4 years, firmly entrenched itself into the landscape of the worldwide electronic community. Working as a perfect fusion of studio expertise and an impeccable dancefloor touch, this creative combination of Christian "D-Nox" Wedekind and Frank Beckers has become a an unfailing source of massive grooves which have successfully infected (infiltrated?) all corners of the globe. With more than a quarter century of combined DJing and producing experience between them, D-Nox & Beckers effectively merge a seasoned musical grounding with a dynamic creative spark that never fails in its ability to adapt to the ever-changing vista of electronic dance music.
Prior to the beginning of their collaborative work, both D-Nox and Frank Beckers were each well established in the electronic music scene, with a multitude of success both as DJs and in the studio. D-Nox began his career in Germany's vibrant techno scene in the early-90s, and quickly became a fixture in clubs across the country. An aptitude for enveloping and captivating dancefloors with his incomparable style saw his booking diary expand to a global scale, while his increasingly frequent forays into the studio brought a number of releases as well as the birth of his own successful imprint, Sprout Music. With training as a musician from childhood, Frank Beckers compositional gift has always been evident. A string of full-length album and single releases under a variety of guises developed a sound steeped in detailed rhythms and savvy harmonies, as well as keeping Frank's services as an actively-touring DJ in high demand.
In the time since their debut release saw the light of day in late-2004, the emergence of D-Nox & Beckers has been nothing short of astounding. Their numerous releases on a variety of top labels along with constant remix requests for artists such as Minilogue, Lützenkirchen, Nick Muir, Tocadisco and many others have become ubiquitous on worldwide dancefloors, with their works appearing in the cases and playlists of countless top DJs. Their 2007 album Left Behind on Electribe was met with acclaim and led to a heavy worldwide touring schedule with constant appearances in thriving musical centers in Brazil, Japan, Mexico, Australia and across the globe. The first half of 2008 has only seen this duo gaining further momentum with the release the highly-received mixed CD City Lights, recognition as one of the top artists in Beatport's Music Awards, a first appearance for D-Nox in DJMag's top 250 DJs and being signed to Marc Romboy's legendary Systematic Recordings for a new single.
Rather than following the current trends, D-Nox & Beckers have placed themselves squarely at the forefront of the evolution of electronic dance music. Slickly drawing from the best elements of a variety of musical genres, this duo is undoubtedly one of the most exciting acts to emerge in recent years. Whether as a DJ mesmerized by their latest release or a dancer caught in the wake of their music pulsating through the speakers, the future will see countless listeners continue thrilled and spellbound by their works.
This guy is German. He really is, trust me! Looking at his tour calendar, you wouldn`t know it. Because D-Nox spends more time abroad, captivating huge crowds worldwide with his genre defying sets between Techno, Electro and Progressive House, than in his motherland. About 95 percent of the time he is busy somewhere between Mexico, Israel, China, Australia, Russia, Japan or God knows where. Often playing in front of 20,000 and more party-goons at the most renowned venues. Has this man forgotten about his roots, neglected his heritage? Certainly not, but D-Nox is simply one of the top Export-Acts of his own country. How did this come about, you might ponder? Well, let me tell you...
This more than eager youngster already started spinning 12inches way back in the days, 1992 to be precise. He was instantly consumed by the first wave of Techno-Music that hit Germany at the time. Within a couple of years D-Nox had landed residencies at some of the elite clubs of his region; The Poison Club 1994-96, Ratinger Hof 1995-97, Area Code 1996-2000 and Evosonic Radio 1997-99. Basically never being out of a residency job for more than a few months. Of course simultaneously stirring up numerous top notch clubs such as the Tresor, Tribehouse, Ultraschall and the Aufschwung Ost. His intimate interplay between the electrified audience and himself is the reason for his immense popularity as a deejay. Preferably long sets with countless ups and downs are his trademark, toying with the hungry crowd for several hours, before finally dropping the party-bomb on them.
After gaining enough experience and musical know-how over the last decade, D-Nox decided to also pursue other goals. 2000 was the year he landed a job as an A&R for Tatsu Records. For the next 48 months the talent agent was active spotting the next big unsigned thing. But being the hack that he is, D-Nox started is own label called Sprout Music. Just a short period after which he also started the sub-label Plastik Park. This chap was practically breathing in music 24 hours a day.
His greatest accomplishments as a producer where yet ahead of this already extremely experienced know-it-all. The project D-Nox & Beckers was introduced to the electronic-community. Tracks such as Jetlag Slave (Baroque, UK), Seven Hours (Electribe) and Memory Cell (in cooperation with David Amo & Julio Naves from Spain) where all incredibly successful 12inches. All reaching the number one spot on Beatport, the international top download webpage for all electronic producers. The debut album had to ensue. 2007 marked the year of the LP Left Behind, which was once again released on the label Electribe. All new and original tracks were written and recorded for the longplayer. Instead of simply positioning one song after the other, D-Nox & Beckers intertwined all tracks with each other, giving the listener the vibe of a live DJ-mix. Left Behind was especially auspicious in Japan and Brazil. The first single Shanghigh was another enormous breakthrough track for the dynamic duo. Minilogue and Patrick Zigon remixes will be released shortly. Aside from their own productions, D-Nox & Beckers are highly sought-after remixers. Minilogue, Tocadisco and many well-known artists are among the musicians they have worked with.
The radio-show D-Nox In Demand is just another document for this mans ability to mesmorize millions. Regularly D-Nox presents the latest in electronic beats to the masses. The audience is listening, one could certainly say. Not merely in his native land, but the entire world. Wake up Belgium, D-Nox is right around the corner!!!
Frank Beckers is not someone who will need introducing to you if you have at all been in the club scene for the last 10 years; his current side project D-nox & Beckers is one of Germany´s most highly acclaimed duos for progressive house and probably the hotest sound around at the moment, reaching the playlists of world renowned DJ's like John Digweed, Satoshi Tomiie, Pete Tong and many more big room floor fillers. With 2 albums released under his former artist name of Space Safari, Frank Beckers has also had a huge chain of 12 releases on labels like Baroque, Electribe, Vapour and Infusions own label Polaroid, with his major breakthrough coming on Sprout music with the international best seller Switch. His most recent collaboration projects have been with Barcelona's kings of progressive David Amo & Julio Navas and he has also has various vinyl releases as Export Audio, now using the name Hatfield & Beckers for their forthcoming releases. Frank is not only a well established producer, but he is also working as a proffesional DJ for 8 years, playing in over 20 countries, and this year alone he played so far in New York, Tokio, Melbourne, Rio de Janero, Mexico City, Helsinki, Lissbon, Sao Paulo, Stockholm, Copenhagen, Budapest... and the list goes on! All this is not at all suprising, when you realise that many years before Frank Beckers started to produce his own music, he had already played in several rock and funk bands and that he'd infact started out his life as a musician in his early childhood days.
Jan Peeters aka Roscoe Deem is probably one of the more frequently asked dj's in the Belgian progressive trance scene today. With a wide selection of music and style going from Electro, minimal, progressive house and psychedelic progressive as R’Deem to Psychedelic full-on as Deem’on… Groing up in the trenches of the techno scene 10 years ago he mastered the skills needed to be a dj… With gigs at Tshitraka (germany), Happy, Dissonant and Tomorrowland to show for.
** Whizz **
Dj Whizz started mixing his favorite music in psychedelic cocktails back in 2001 and since 2003 he plays in the Belgium psy scene on regular basis.His style can be described as a progressive mixture of trance ,house and techno. It sounds fresh,original and with a psychedelic flow breezing through the heavy beats. He's also not afraid to experiment with new or different styles of music. During the last years Dj Whizz has played with some of his favorite artists like Emok,SBK, Edoardo,Perfect Stranger,Ace Ventura, Ticon, Slater, Bim, Dimitri, ... And now he's ready for the next step in musical evolution :)



How to get there
interesting to know that the trainstation of Hasselt is only 5min walk seperated from the Ritz Building! Direct connections from Gent, Brussel, Leuven, Antwerpen and Luik
Coming by car:
When you arrive at the big ring around Hasselt (R71), Drive to the left (inside ring), and follow this way until you drive over a bridge... This bridge goes over "de vaart". On that bridge, if you are just over "de vaart", you go right and on the rightside of the street close to the vaart you'll see a big parking. This one is free en only 200m walk to the Ritz Building (go direction Centrum from that parking)
You can also stand free in from of the door, but very little places... and because of roadworks you cannot drive from the Ritz to the free parking! You can also stand on the parking of the Versus Club but that will cost something. (we dunno how much)